Running a series of tests with Make Noise Dual Prismatic Oscillator - In this one I’v added some drum loops
Running a series of tests with Make Noise Dual Prismatic Oscillator - In this one I’v added some drum loops
Just the first words of my modular baby compilated - I am still a newbie when the subject is operate modulars…
Attention - This is really LOUD! Turn the volume down before you play!
Make Noise DPO waves sampled and mixed in Pro Tools plus bit crushing - I was jamming to hear the textures you can get using this method
Warning: this post contains graphic imagery of pricks, cunts and assholes.
I have a new favorite douchebag profile pic: Enthralling My Fucking Audience. This one is phenomenal; you’ve probably seen it somewhere amongst your fucking friends. It’s where a Very Important Dbag (VIDb) is captivating above-mentioned audience solely through the power of his personal presence.
Jesus Christ, the fucking hubris. The fucking insane, idiotic hubris.
Whether you’re a student figuring out your career, a professional looking for a job, or an entrepreneur in need of leads, there are three resources on Couchsurfing you can tap into:
1. Groups
There are hundreds of groups dedicated to recruitment and job hunting on Couchsurfing….
After Kagemusha won the [Palme d’Or at the 1980] Cannes International Film Festival, until 1982, Kurosawa traveled extensively in Europe and the United States, meeting filmmakers everywhere he went and being warmly welcomed. While he was staying in New York’s Plaza Hotel, he received many surprise visitors, including film greats Jean-Luc Godard, John Milius, Werner Herzog, and Martin Scorsese.
The combination of Godard and Kurosawa was unusual. Probably he was invited along by Milius and went out of curiosity. Producer Tom Luddy might have come with them as well.
We had heard that Milius was a Kurosawa fan, and Kurosawa also had good things to say about his The Wind and the Lion. Milius asked Kurosawa to teach him the martial art of kendo, or Japanese fencing, and did Mifune impersonations, but Godard only sat looking on, smiling, and never spoke to Kurosawa.
Another unusual visitor was the German director Werner Herzog, whose name was then unfamiliar to Kurosawa. There was a book he wanted to give Kurosawa, said Herzog, but he hadn’t been able to find it in the book store and he had a plane to catch, so he had just dropped by to pay his respects. Then the next day, I think it was, he made a special trip to hand-deliver the book—having gone to the trouble of altering his flight reservations to do so. I believe it was a book of drawings. In any case, Kurosawa found this gesture deeply moving.
Later, in Japan, Kurosawa took the first opportunity to go see Herzog’s Fitzcarraldo and was overwhelmed by its tenacious energy.
— Teruyo Nogami, Waiting on the Weather: Making Movies with Akira Kurosawa
(Source: strangewood, via criterioncollection)
Eliane Radigue is a french pioneer of ambient electronic music.
This review of the documentary, Eliane Radigue: Virtuoso Listening (dir. Anaïs Prosaïc, 2012) appeared in The Wire, September 2012.
“Within the vital hum of this city, if you listen attentively, you can hear many frequencies and create your own music,” says Eliane Radigue, French…
Vatican Shadow Performing At The Blackest Ever Black Showcase. Corsica Studios. London. 10.13.12