Ancient Egyptian music notation
From a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.
Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.
12:48 pm • 5 January 2013 • 1,965 notes
by Colin Rich
Music: M83, “Echoes of Mine” off of ‘Hurry Up, We’re Dreaming.’ Available from Mute Records, EMI Music
Download the song/album here here: itunes.apple.com/us/album/midnight-city
Cinematography, Direction, and Editing by: Colin Rich: facebook.com/colinrich1
Produced by Pacific Star Productions pacstarpro.com
A big thanks to Matthews MSE (msegrip.com) especially to Bob Kulesh, Tyler & Ed Phillips for their generous support and patience of this lengthy endeavor. Most of the linear motion control shots were captured using their FloatCam DC Slider, a wonderful piece of engineering for the time lapse world.
'Nightfall' is a three minute tour of light through the City of Angels.
I shot “Nightfall” in an attempt to capture Los Angeles as it transitioned from day to night. As you probably know, LA is an expansive city so shooting it from many different angles was critical. Usually I was able to capture just one shot per day with a lot of driving, exploring, and scouting in between but the times sitting in traffic or a “sketchy” neighborhood often lead to new adventures and interesting places.
Nightfall in particular is my favorite time to shoot time lapse. Capturing the transition from day to night while looking back at the city as the purple shadow of Earth envelopes the eastern skyline and the warm distant twinkling halogen lights spark to life and give the fading sun a run for her money- this will never grow old or boring to me.
In this piece, it was important to me for the shots to both capture and accentuate the movement of light through the day and night and the use of multiple motion control techniques allowed me to do so.
I hope you enjoy watching it as much as I enjoyed creating it.
An English translation of the lyrics-
"It is late. I am looking for my other home, taking an unfamiliar path: a small trail near the factories and the city, cutting through the forest. I can barely see nature when suddenly, night falls. I am engulfed by a world of silence, yet I am not afraid. I fall asleep for a few minutes at the most, and when I wake up, the sun is there and the forest is shining with a bright light.
I recognize this forest. It is not an ordinary forest, it is a forest of memories. My memories. The white and noisy river, my adolescence. The tall trees, the men I have loved. The birds in flight, and in the distance, my lost father.
My memories aren’t memories anymore. They are there, with me, dancing and embracing, singing and smiling at me.
I look at my hands. I caress my face, and I am 20 years old. And I love like I have never loved before.”
5:55 am • 22 September 2012 • 3 notes